Lessons: 14Length: 2.1 hours
- Overview
- Transcript
3.2 Pulling The Key in Premiere Pro
Premiere Pro has tools to pull reasonable looking keys very quickly. In this section we will look at how to tweak the setting to get the most out of the footage. I have included a small clip of the example footage for you to work with. It has already been transcoded and then encoded in an uncompressed format for you to work with. Your file, although shorter than mine, should work exactly like the file I am working with.
1.Introduction
1.1Introduction and Basic Concepts03:41
1.1
Introduction and Basic Concepts
03:41
2.Capturing Video
2.1Knowing Your Camera, Chroma Subsampling, and Thinking About Lighting13:36
2.1
Knowing Your Camera, Chroma Subsampling, and Thinking About Lighting
13:36
2.2Setting Up and Lighting The Green Screen11:19
2.2
Setting Up and Lighting The Green Screen
11:19
2.3How To Light Your Subject13:02
2.3
How To Light Your Subject
13:02
2.4Using The Scopes in Premiere Pro09:11
2.4
Using The Scopes in Premiere Pro
09:11
3.Compositing
3.1Transcoding DSLR Footage using 5D2RGB04:42
3.1
Transcoding DSLR Footage using 5D2RGB
04:42
3.2Pulling The Key in Premiere Pro07:05
3.2
Pulling The Key in Premiere Pro
07:05
3.3Cleaning Up The Key and Compositing in Premiere Pro12:20
3.3
Cleaning Up The Key and Compositing in Premiere Pro
12:20
3.4Keying Your Shot in After Effects11:12
3.4
Keying Your Shot in After Effects
11:12
3.5Cleaning Up The Key in After Effects07:36
3.5
Cleaning Up The Key in After Effects
07:36
3.6Compositing Your Shot in After Effects06:41
3.6
Compositing Your Shot in After Effects
06:41
3.7Tweaks and Color Correction in After Effects06:21
3.7
Tweaks and Color Correction in After Effects
06:21
4.Final Tips
4.1Using a Different Lighting Setup and Subject10:28
4.1
Using a Different Lighting Setup and Subject
10:28
4.2Tweaks and Final Thoughts07:39
4.2
Tweaks and Final Thoughts
07:39
